FANTASIA DÉVOILE LE PALMARÈS DE SA 27E ÉDITION

LES CHAMBRES ROUGES remporte les honneurs avec 4 Prix dont Le Cheval Noir du Meilleur long métrage

Montréal, le 30 juillet 2024 - Le Festival international de films Fantasia est très heureux d’annoncer les lauréats de sa 27^e édition qui se poursuit jusqu’au 9 août prochain en salle à Montréal. Les récompenses ont été remises hier soir par les jurys de chacune des compétitions : c’est le film québécois LES CHAMBRES ROUGES de Pascal Plante, présenté en ouverture du Festival, qui remporte le Prix Cheval noir du meilleur long-métrage ainsi que le Prix du meilleur scénario, le prix de la Meilleure interprétation féminine et le Prix de la meilleure bande originiale. Le Cheval noir de la meilleure réalisation a quant à lui été décerné à Sam H. Freeman et Ng Choon Ping pour FEMME.

► PRIX CHEVAL NOIR – LONGS MÉTRAGES

Le jury était présidé par l’acteur, scénariste et réalisateur David Hewlett avec la participation de Brenda Lieberman (productrice, directrice du Calgary Underground festival), Jourdain Searles (auteur, critique et programmateur), Virginie Sélavy (autrice, universitaire en cinéma) et Gary Sherman (réalisateur, scénariste et producteur).

MEILLEUR FILM: LES CHAMBRES ROUGES (Réal. Pascal Plante, Québec/Canada)

MEILLEURE RÉALISATION: Sam H. Freeman et Ng Choon Ping (FEMME, Royaume-Uni)

MEILLEUR SCÉNARIO: Pascal Plante (LES CHAMBRES ROUGES, Québec/Canada)

MEILLEURE PERFORMANCE: Juliette Gariépy (LES CHAMBRES ROUGES, Québec/Canada)

MEILLEUR PERFORMANCE: Nathan Stewart-Jarrett (FEMME, Royaume-Uni)

MEILLEURE DIRECTION PHOTO: Zelda Adams & John Adams (WHERE THE DEVIL ROAMS, États-Unis)

MEILLEURE BANDE-ORIGINALE: Dominique Plante (LES CHAMBRES ROUGES, Québec/ Canada)

MENTION SPÉCIALE DU JURY : VINCENT DOIT MOURIR (Réal. Stéphan Castang, France)

► PRIX NEW FLESH – PREMIÈRES OEUVRES

Le jury, présidé par Justin Benson et Aaron Moorhead (réalisateurs, scénaristes, acteurs et co-fondateurs de Rustic Films) était composé de Sarah Bolger (actrice), David Lawson Jr. (producteur, co-fondateurs de Rustic Films) Sara Neidorf (musicienne, réalisatrice et co-fondatrice du Final Girls Berlin Film Festival) et Angie Power (attachée de presse, Route 504 PR).

MEILLEUR PREMIER FILM: STAY ONLINE (Réal. Yeva Strelnikova , Ukraine)

MENTION SPÉCIALE DU JURY: TIGER STRIPES (Réal. Amanda Nell Eu, Malaisie, Taïwan, France, Allemagne)

MENTION SPÉCIALE DU JURY: THE ABANDONED (Réal. Tseng Ying-Ting, Taïwan)

► PRIX DU COURT MÉTRAGE INTERNATIONAL

Le jury, présidé par Laura Moss (réalisatrice, scénariste) était composé de Maya Korn (productrice), Justine T. McLellan (autrice, universitaire), Nick Romano (directeur de création) et Jerome Sable (réalisateur, scénariste, compositeur).

MEILLEUR COURT MÉTRAGE: BOLD EAGLE (Réal. Whammy Alcazaren, Philippines)

MEILLEURE RÉALISATION: Jacob Chase (MR. BLUR, États-Unis)

MEILLEUR SCÉNARIO: David Winstone (THE NOLBELTO METHOD, Royaume-Uni)

MEILLEURE PERFORMANCE: Silvana Mihai (THE TASTER, Allemagne)

MEILLEUR PERFORMANCE: Lim Hyojin (SHOULDER, Corée du Sud)

MEILLEURE DIRECTION PHOTO: Julien Ramirez Hernan (TRANSLYVANIE, France)

MEILLEURE BANDE-ORIGINALE: Matthias Dewilde (POPPY’S SATURN, Belgique)

MENTION SPÉCIALE DU JURY: SWEET JUICES (Réal. Im Sejon, Will Suen, Australie)

► PRIX SATOSHI KON POUR L’EXCELLENCE EN ANIMATION

Le jury AXIS presidé par Nadim Zaidi (peintre numérique de mattes) était composé de Arizona O’Neill (illustratrice, réalisatrice) et Aki Takabatake (fondateur et Président de Momo Films Inc.).

MEILLEUR FILM: THE FIRST SLAM DUNK (Réal. Takehido Inoue, Japon)

MENTION SPÉCIALE DU JURY: SAND LAND (Réal. Toshihisa Yokoshima, Japon)

MEILLEUR COURT MÉTRAGE - OR: A KIND OF TESTAMENT (Réal. Stephen Vuillemin, France)

MEILLEUR COURT MÉTRAGE - ARGENT: ARCHITECT A (Réal. Lee Jonghoon, Corée du Sud)

MEILLEUR COURT MÉTRAGE - BRONZE: RECORD. PLAY. STOP. ( Réal. Neeraj Bhattacharjee, Inde)

► PRIX AQCC - CAMERA LUCIDA

Le jury, composé des critiques Marc-Antoine Lévesque (Co-fondateur du Laboratoire de contenus La Marquise, directeur de la programmation pour l’Association Cinémaniak), Mathieu Li-Goyette (critique, rédacteur en chef de Panorama-cinéma) et Guillaume Potvin (critique, programmateur)

PRIX AQCC CAMERA LUCIDA: IRLANDE CAHIER BLEU (Réal. Olivier Godin, Québec/Canada)

MENTION SPÉCIALE DU JURY: HOME INVASION (Réal. Graeme Arnfield, Royaume-Uni)

La 27^e édition du Festival international de films Fantasia se déroule jusqu’au 9 août 2024 en salle à Montréal. Les cinéphiles sont invités à se procurer leurs billets en ligne sur le site web du festival.La liste complète des titres de la sélection de 2024 est disponible au fantasiafestival.com.

La 27^e édition du Festival international de films Fantasia est présentée par Vidéotron en collaboration avec Desjardins, et est rendue possible grâce au soutien financier du Conseil des arts de Montréal, du Gouvernement du Québec, de la SODEC, de Téléfilm Canada, de Tourisme Montréal et de la Ville de Montréal.

Full Fantasia 2024 Jury Statements [ENGLISH ONLY]

► CHEVAL NOIR COMPETITION – Feature Films

Best Film
LES CHAMBRES ROUGES (Québec, d. Pascal Plante)

“The ultimate effect a film can achieve is to implant a significant and lasting emotional memory. The jury was unanimously convinced that Les chambres rouges masterfully accomplished that goal. With incredible skill and artistry, without resorting to gore or violence, this film delivers not only an extremely disturbing and frightening experience but introduces you to characters and situations you may never forget.”

Best Director
Sam H. Freeman & Ng Choon Ping (FEMME, United Kingdom)

“Femme is a gripping thriller that is both supremely tense and sensitively directed. The two contrasting worlds of the drag queens and the macho thugs are vividly rendered. The contradictions in the two main characters’ feelings are explored in all their nuances and complexity, and the powerful ending provides no easy resolution to the revenge theme.”

Best Screenplay
Pascal Plante (LES CHAMBRES ROUGES, Québec, d. Pascal Plante)

“Pascale Plante created a deeply gripping and intricate screenplay that was so powerful to watch play out. Filled with unique characters, motives, and a rich overall story arc which left us unanimously impacted by the world which he created. The intensity of watching the film where you never quite know the depth of relationships, where the story will take you, or what each character’s intentions are, leaves you in constant intrigue. With this, we give the award for Best Screenplay to Les chambres rouges, written by Pascale Plante.”

Best Score (The Sandro Forte Award)
Dominique Plante (LES CHAMBRES ROUGES, Québec, d. Pascal Plante)

“The jury felt the score Dominique Plante created for Les chambres rouges truly defines and enhances the emotional impact of this startling film. Painted with a fine brush, the soundtrack brilliantly creates a fertile environment in which to grow the fascinating characters and disturbing story of this immensely disturbing film. Plante skillfully opens doors and then closes them, escorting, rather than leading, the audience through a maze of emotions.”

Best Cinematographer
Zelda Adams & John Adams (WHERE THE DEVIL ROAMS, United States, d. Zelda Adams, John Adams and Toby Poser)

“The Adams Family have done an extraordinary job of capturing the film’s challenging (on any budget) 1930’s setting, transporting us back in time with their creative approach and extraordinary aesthetic. Every frame vibrates with a visceral, eerie, dread. The team have masterfully conjured up a unique, starkly haunting, visual style and filmic texture. Where the Devil Roams elevates and refines low-budget, indie madness into an excitingly unique cinematic triumph.”

Outstanding Performance
Nathan Stewart-Jarrett (FEMME, United Kingdom, d. Sam H. Freeman & Ng Choon Ping)

“Nathan Stewart-Jarrett gives a breakout performance in Femme, showing us both the beauty and vulnerability of being queer in a society that stubbornly holds on to traditional heteronormative values of what love and gender expression can look like for a man. The beauty, honesty and grace of his performance feels both true and deeply moving.”

Outstanding Performance
Juliette Gariépy (LES CHAMBRES ROUGES, Québec, d. Pascal Plante)

“Juliette Gariépy gives a brave, full-bodied performance in Les chambres rouges. As Kelly-Anne, she shows us the complexity of female desire in a world that can be strange and violent. With determination, beauty and a strange sense of humour, Gariépy creates a wholly original character who takes us down the rabbit hole and shows us dark, profound truths.”

Special Mention
VINCENT DOIT MOURIR (France, d. Stéphan Castang)

“We give the special jury mention to Vincent Must Die for its strikingly original take on the zombie genre and for the way it potently resonates with the climate of simmering violence and social disintegration of our times.”

► NEW FLESH COMPETITION FOR BEST FIRST FEATURE – Debut Films

Best First Feature
STAY ONLINE (Ukraine, d. Yeva Strelnikova)

“Making a film is so incredibly hard that completing one is a miracle even under ideal circumstances. It takes a special filmmaking team to have the drive, wit, and talent to not just finish a film, but in a war zone. It takes a special filmmaker to make one that’s so moving, meaningful, and thrilling. STAY ONLINE is a brilliant display of courage and raw talent that showcases how you can fight violence with art.”

Special Mention
TIGER STRIPES (Malaysia,Taiwan, France, Germany, d. Amanda Nell Eu)

"Right from the first scene, Amanda Nell Eu had us cheering for the compelling, irreverent adolescent protagonist (Zafreen Zairizal) fighting against the expectations of her peers and family as well as the conservative norms of Malaysian society at large. It was funny, feral and fantastical while maintaining an uncompromising feminist perspective."

Special Jury Mention
THE ABANDONED (Taiwan, d. Tseng Ying-Ting)

“From the opening fireworks, The Abandoned mesmerised us. Its unrelenting darkness never obscures the film’s beating heart, voice for marginalised populations, and the genuine empathy for its characters anchored by a stunning lead performance in Janine Chang.”

► INTERNATIONAL SHORT FILM COMPETITION

Best Short Film
BOLD EAGLE (Philippines, dir. Whammy Alcazaren)

“BOLD EAGLE soars to the top. The rare species of short film that seizes you, the viewer, like its prey—however reluctant or unwilling you might have been—and once it has you in its talons, it toys with you, assaults you, shocks you, delights you, and somehow still manages to pack a deep emotional punch. A one-of-a-kind gem of a short that will sear itself on your mind with images you can never unsee, right from the opening butthole. Beautiful.”

Best Director
Jacob Chase (MR. BLUR, USA)

“Jacob Chase makes fantastic use of a unique visual device - a contact lens - to ratchet up tension, and weaponizes negative space in the frame to help establish a space as threatening. He sticks the landing with an unsettling close-up of our antagonist entity which incorporates body horror into the cinematic apparatus as well. Overall, it’s an exceptional balance of a less is more philosophy mixed with the right ratio of silence to score that underscores what scary is all about.“

Best Screenplay
David Winstone (THE NOLBELTO METHOD, UK, dir. David Winstone)

“This film explored the painful contradictions of existential depression with a pitch-black sense of humour and a deep love for its characters.”

Outstanding Performance
Silvana Mihai (THE TASTER, Germany, dir. Sophia Bierend)

“Silvana Mihai's magnetic and subtle performance as Ozana grants audiences immediate access to her character’s interiority. With exceptional finesse, she portrays a character whose situational vulnerability is matched by an unwavering resolve to survive.”

Outstanding Performance
Lim Hyojin (SHOULDER, South Korea, dir. Kim Jaehyung)

“Lim Hyojin is given the tough assignment of conveying emotion in a silent film, void of dialogue - and he knocks it out of the park. Expressed through eyes and body language, he puts on such a natural, believable performance, emoting humour, melancholy, angst, and nailing the controlling themes of the short: the weight of impending retirement and universal fear of becoming irrelevant.”

Special Mention
SWEET JUICES (Australia, dir. Sejon Im, Will Suen)
“Special mention to the outlandish, stylistically confident Sweet Juices, a film that both dazzled and repelled the Jury with its original, gross-out style.”

Best Score
Matthias Dewilde (POPPY’S SATURN, Belgium, dir. Nicole Tegelaar)

“An entrancing score that seduces you with its dreamy textures and vocal pads as addictive as the space poppies that Madame Rose, the fortune teller, speaks of. If this is what glittercore sounds like, we’d like to pre-order the full-length soundtrack please.”

Best Cinematography
Julien Ramirez Hernan (TRANSLYVANIE, France, dir. Rodrigue Huart)

​​”A confident cinematographic vision that purposefully set a sombre but playful mood, making even the greyest locations seem enticing and full of suspense.”

► AXIS: SATOSHI KON AWARD FOR EXCELLENCE IN ANIMATION

Best Feature Film
THE FIRST SLAM DUNK (Japan, d. Takehiko Inoue)

“For our selection for best animated feature this year, our choice boiled down to this film for its clever and well-executed interplay between highly-relatable human drama, the exhilarating, breakneck editing of the numerous action sequences that are peppered throughout the story, and for its creative and technical use of animation. A gem of a film through and through that enriches an already existing franchise, while at the same time remaining open to viewers who never have never seen or read any of the previous, existing material. We are happy to present this year's Satoshi Kon Award for Excellence in Animation for best animated feature to The First Slam Dunk.”

Special Jury Mention
SAND LAND (Japan, d. Toshihisa Yokoshima)

“Lastly, we do have a very special honourable mention to make. This feature was selected for the vast scope of its narrative, ecological message, rich character back-stories and overall sense of adventure. An adaptation of the manga from 2000, the film not only addresses heavy-handed topics of environmental degradation and political corruption, but also masterfully balances them with stunning animated sequences of battle set amongst a backdrop of desert vistas and valleys, all the while incorporating themes of betrayal and redemption for characters who are an absolute blast to watch. We are delighted to present this year's Special Jury Mention for Satoshi Kon Award for Excellence in Animation to Sand Land.”

Best Short Film - Gold
A KIND OF TESTAMENT (France, d. Stephen Vuillemin)

“Gold goes to a film that transfixes the viewer from its opening shot of vibrant grainy flowers dancing on the screen. A story about paranoia and identity theft on the internet. The voice over captures the eerie feeling of being observed online. And the images are breathtaking and haunting. After watching this short all I can say is I am never making another decision again, no matter how small.”

Best Short Film - Silver
ARCHITECT A (South Korea, d. Lee Jonghoon)

A story about ageing, memory and trauma told through the lens of an architect fulfilling the final wish of an elderly woman searching for a home. The animation treats the subject matter with whimsy and melancholy, beautifully coloured and realised through simple but evocative line drawings. The sounds and textures created throughout transport the viewer to a fantastical maritime setting. The film is a beautiful pondering of familial love and loss.

Best Short Film - Bronze
RECORD. PLAY. STOP. (India, d. Neeraj Bhattacharjee)

“Bronze goes to a film without dialogue that follows a probe floating through space. The worlds it visits are breathtaking. The filmmaker uses an extremely wide aspect ratio and utilises the horizontal plane in the most imaginative ways. It is a feat to tell a story using images alone - this love letter to space and science and music transports you.

► AQCC-CAMERA LUCIDA

Prix AQCC - Camera Lucida
IRLANDE CAHIER BLEU (Québec, dir. Olivier Godin)

“Pour son scénario éclaté, ses personnages surprenants et ses dialogues incomparable - pour l’esprit créatif artisanal et indépendant qui s’en dégage - pour sa façon de faire qui adopte embrasse sa pauvreté de moyens pour en faire sa richesse stylistique - Bref, pour sa proposition de cinéma résolument hors du commun, Le jury est heureux de remettre le prix de la section CAMERA LUCIDA au film IRLANDE CAHIER BLEU de Olivier Godin.”

Special Jury Mention
HOME INVASION (United Kingdom, dir. Graeme Arnfield)

“Pour son utilisation judicieuse d’images de réemploi et sa façon d’amalgamer les codes du film d’essai et du cinéma d’horreur - pour la perspicacité des liens qu’il tisse entre des chapitres méconnus de l’histoire des technologies, des relations industrielles et de l’histoire du cinéma- et pour la pertinence des questions qu’il pose sur l’avenir de la surveillance en revisitant des épisodes qui ont marqué le développement de notre politique du regard - les membres du jury tiennent à attribuer une mention spéciale au film HOME INVASION de Graeme Arnfield.”

-- The festival will continue to screen new films until August 9th. The Fantasia Audience Awards will be announced at the end of the fest.