Courts présentés avant des longs-métrages :
Akari (Japan, dir. Takeshi Yagi, International Premiere, screening before Shin Kamen Rider)
Ami d’ami (Quebec, dir. Simon Gualtieri, World Premiere, screening before Y’a une étoile)
Architect A (South Korea, dir. Lee Jonghoon, Canadian Premiere, screening before The Concierge)
Beurre de pinottes (Canada/Quebec, dir. Maxime Divier, screening before Max Funk : Pour ton funk seulement)
Buffering...Please Wait (Canada, dir. Samantha Lai, World Premiere, screening before Daughter of the Sun)
Butterscotch (USA, dir. Alexander Deeds, World Premiere, screening before It Lives Inside)
Camp (Canada, dir. Bronson Allen, World Premiere, screening before Satan Wants You)
La Chasse (Canada, dir. Louka Hogue, World Premiere, screening before Richelieu)
Les Crochets (Quebec, dir. Charles Parisé, World Premiere, screening before tOuch Kink)
Daisy (Sweden, dir. Torbjörn Edwall, Canadian Premiere, screening before Pandemonium)
Dark (Singapore, dir. Alistair Quak, World Premiere, screening before The Abandoned)
Drumming Makes You Happy (USA, dir. Josh Cohen, World Premiere, screening before The Becomers)
Every House is Haunted (USA, dir. Bryce McGuire, Canadian Premiere, screening before Where the Devil Roams)
First Blood (Canada, dir. Olivia Loccisano, Quebec Premiere, screening before My Animal)
Gertrude and Yvan Party Hard (France, dir. Louise Groult, Canadian Premiere, screening before Vincent Must Die)
Gnomes (Netherlands, dir. Ruwan Heggelman, Canadian Premiere, screening before Onyx the Fortuitous and the Talisman of Souls)
Good Condition (USA, dir. Frank Mosley, International Premiere, screening before Lovely, Dark, and Deep)
Hellmark (Canada, dir. Jessica Doucet, World Premiere, screening before With Love and a Major Organ)
How to Get Rid of Your Cheating Husband (Germany, dir. Sebastian Ganschow, World Premiere, screening before Booger)
The Influencer (USA, dir. Lael Rogers, World Premiere, screening before Late Night With the Devil)
Innermost (China, dir. Maing Caochong, North American Premiere, screening before Mother Land)
A Kind of Testament (France dir. Stephen Vuillemin, Canadian Premiere, screening before Sometimes I Think About Dying)
Lollygag (USA, dir. Tij D'oyen, Canadian Premiere, screening before Hippo)
Mr. Blur (USA, dir. Jacob Chase, World Premiere, screening before Suitable Flesh)
Original Skin (UK, dir. Mdhamiri A Nkemi, Canadian Premiere, screening before Perpetrator)
Otamatoon: Let’s Play Chan (Japan, dir. Novmichi Tosa, World Premiere, screening as part of Discover Maywa Denki special event)
Otamatoon: Let’s Play Chiririn (Japan, dir. Novmichi Tosa, World Premiere, screening before The First Slam Dunk)
Otamatoon: Let’s Play Knockman (Japan, dir. Novmichi Tosa, World Premiere, screening before A Chinese Ghost Story)
Otamatoon: Let’s Play Pololon (Japan, dir. Novmichi Tosa, World Premiere, screening before Baby Assassins 2)
Otamatoon: Let’s Play Velomin (Japan, dir. Novmichi Tosa, World Premiere, screening before Insomniacs After School)
Paragon (USA, dir. Colin Treneff, World Premiere, screening before Restore Point)
The Perfect Place to Cry (USA, dir. Shane Bannon, Canadian Premiere, screening before Blackout)
Reds (Argentina/Venezuela, dir. Tom Espinoza, Canadian Premiere, screening before Piaffe)
The Reluctant Icon: A Tribute to Laura Gemser (USA/Canada, dir. Kier-La Janisse, Canadian Premiere, screening before Emanuelle in America)
Saint-Sacrifice (Canada, dir. Jean-claude Leblanc, International Premiere, screening before The Sacrifice Game)
Save the Watermelon (USA, dir. Christopher Smith, Quebec Premiere, screening before Mayhem!)
School Girl (Japan, dir. Shigeyoshi Tsukahara, Canadian Premiere, screening before Kurayukaba)
Shoulder (South Korea, dir. Kim Jaehyung, World Premiere, screening before #Manhole)
Smoking Kills (USA, dir. Dulcinée DeGuere, Canadian Premiere, screening before Eight Eyes)
Sweet Juices (Australia, dir. Im Sejon, Will Suen, International Premiere, screening before T Blockers)
The Traveler with the Pasted Rag Picture (Japan, dir. Shigeyoshi Tsukahara, International Premiere, screening before Kurayukaba)
Uberlinks (France, dir. Robert Hospyan, North American Premiere, screening before New Normal)
White Noise (Canada, dir. Tamara Scherbak, World Premiere, screening before ROMI)
The Wild World Itself (Canada/Quebec, dir. Dwight Petrovic, Finn Petrovic, World Premiere, screening before Emptiness)
Write a Song About Heartache (United States, dir. Jonny Look, Montreal Premiere, screening before Apocalypse Clown)