World Premiere
Cheval Noir

Rita

Directed by Jayro Bustamante

Hosted by Director/Writer/Producer Jayro Bustamante

Credits  

Director

Jayro Bustamante

Producer

Jayro Bustamante, Jonathan King, Gustavo Matheu

Writer

Jayro Bustamante

Cast

Isabel Aldana, Sabrina De La Hoz, Giuliana Santa Cruz, Maria Telon, Alejandra Vasquez

contact

IFC Films / Shudder / RLJE Films

Guatemala 2024 107 mins OV Spanish Subtitles : English
Genre DramaFantasy

Thirteen-year-old Rita (Giuliana Santa Cruz) finds herself incarcerated in an all-girls protective custody facility, after fleeing a horrendously abusive home life to seek freedom in the city. The girls in her overcrowded section tell of a prophecy, that a warrior angel will arrive to free them all from a life of destitution, incarceration, and enforced prostitution. When she’s handed a pair of wings of her own, which all the girls in her quarters wear too, it’s up to Rita to work out whether she will fulfil the prophecy, and if so, how far she’s prepared to go to let the outside world know what’s really going on at the facility.

Following up on the international success of LA LLORONA (2019), director Jayro Bustamante fuses notes of mythical fantasy with themes of childhood innocence and female friendship, and the potent emotional register of a story based on a harrowing real-life event, where 41 young women horrifically burned to death inside a Guatemalan orphanage in 2017, in the midst of a protest about inhumane conditions.

Much like the early work of Guillermo Del Toro, RITA employs a fantastical mood, and oftentimes whimsical imagery, to dig into a core of grim real-life themes. At the heart of the piece is the powerful performance of Guiliana Santa Cruz, who speaks for all the young women who suffered at the orphanage—those who lost their lives, the survivors, and those who still have to endure such difficult circumstances. As a result, the story speaks much to the power of female anger, and yet, not once does the director lose sense of the fact that at its heart, Rita’s tale is one of girlhood, of dreams, of an innocence lost and regained within the bosom of female solidarity. – Kat Ellinger